Rose White has observed that Guerrilla knitting has “a couple of meanings in the knitting community – to some, it merely means knitting in public, while to others, it means creating public art by knitted means.”
Her talk at the 24th Chaos Communication Congress noted that:
Contemporary knitters feel very clever for coming up with edgy language to describe their knitting, but the truth is that for decades there have been knitters and other textile artists who are at least as punk rock as today’s needle-wielders. This talk will cover the vibrant history of contemporary knitting, with a focus on projects that will make you say, “Wow, that’s knitted?”
Today at the University of Canberra I had that wow feeling. I came across these examples of the art form.
The anonymity of guerilla knitting is such that I have no idea who installed these pieces. They may be devotees of Knitta. Or perhaps an acolyte of Bronwen Sandland. Perhaps someone from Parramatta. Whoever it was made it an unforgettable day for me … the first time since 2002 I have seen knitting in the wild!
This delight led me to concur with Kristin at Spinhandspun Design who observes that:
By covering construction sites, road signs, and technologies in handmade materials, each piece reminds us that our symbolic environments deserve a second skin: softer, warmer, imperfect, and tattooed with subtle reminders of our humanity. Ideas spread through human interactions…