I am attending the National Elite Sports Council (NESC)’s Forum in Canberra next week. In addition to the Forum web site there is a Ning site for the Forum. A link to the conference program can be found here.
I have the opportunity to present on Day Two of the Forum and I have been thinking for a while about what to say. After my first draft I started again and late this week had my thoughts focused by Charles Leadbeater’s work. I have posted the draft and the presentation on SlideShare.
This is the presentation I hope to use as the framework for my talk.
I am using more Creative Commons images from Flickr in my presentations. Just searching for the images is transforming how I think. I have been thinking about presentation style too and am fascinated about how I might mash the Night Air, Garrison Keillor’s Radio Program and the Bush Telegraph for this Forum.
I hope to blog during the Forum. I am mindful of a recent post by Graham Attwell in sharing ideas live. Graham observed:
I am all for openness, open education, open discussions, open knowledge and a culture of sharing. Yet as digital identities become ever more important, it is critical that we have the rights and the tools to manage that identity and that social network providers appreciate and support those rights and make it easy for individuals to understand how they can mange both privacy and openness. This is an issue which will not go away.
This is a news item about the Forum.
Rose White has observed that Guerrilla knitting has “a couple of meanings in the knitting community – to some, it merely means knitting in public, while to others, it means creating public art by knitted means.”
Her talk at the 24th Chaos Communication Congress noted that:
Contemporary knitters feel very clever for coming up with edgy language to describe their knitting, but the truth is that for decades there have been knitters and other textile artists who are at least as punk rock as today’s needle-wielders. This talk will cover the vibrant history of contemporary knitting, with a focus on projects that will make you say, “Wow, that’s knitted?”
Today at the University of Canberra I had that wow feeling. I came across these examples of the art form.
The anonymity of guerilla knitting is such that I have no idea who installed these pieces. They may be devotees of Knitta. Or perhaps an acolyte of Bronwen Sandland. Perhaps someone from Parramatta. Whoever it was made it an unforgettable day for me … the first time since 2002 I have seen knitting in the wild!
This delight led me to concur with Kristin at Spinhandspun Design who observes that:
By covering construction sites, road signs, and technologies in handmade materials, each piece reminds us that our symbolic environments deserve a second skin: softer, warmer, imperfect, and tattooed with subtle reminders of our humanity. Ideas spread through human interactions…
One of the delightful aspects of sharing ideas is that others reciprocate in sharing. Today I received a YouTube link from a colleague that captured and encapsulated the essence of Johan Huizinga’s play elements of culture in Homo Ludens (1938).
The view we take in the following pages is that culture arises in the form of play, that it is played from the very beginning… Social life is endued with supra-biological forms, in the shape of play, which enhances its value.
On seeing the video my interests in music and performance coalesced around playing and playfulness. The video is from a project at the Odenplan station in Stockholm. (Much discussed earlier this month!) (Some Flickr Creative Commons’ images of Odenplan here.) Laurel Papworth’s has posted about this project and Fun Theory here.
Two other videos from the series, the Bottle bank Arcade and the World’s Deepest Bin can be found here.