Coaching Ideas

Two fragments came together yesterday and sent me off thinking about coaching.

The first came in an email message from Jo Gibson. She is writing up her PhD at the moment and we have been discussing narrative forms. In her email, Jo shared a description of a short story as:

something glimpsed from the corner of the eye, in passing. An illuminated moment … a glimpse of truth, about which you have forgotten to ask.

When I read that I thought that it was a powerful description of coaches’ experiences as they try to extend their practice. I particularly like the “forgotten to ask” part.

In my own coaching, the forgotten parts emerge through reflection and become part of the next short story, sometimes made explicit, but often left unsaid, embedded in the guided discovery I have planned.

The second fragment also came in the form an email. A friend had seen the first episode of Monty Don’s Paradise Gardens programs. In that program, Monty visits Isfahan, Kashnan, Shiraz and Pasargadae in Iran. There is archeological evidence of a garden at the heart of Cyrus’s 6th century palace at Pasargadae. The program note observes:

When the Arabs invaded Persia in the 6th century, it was these Zoroastrian gardens that influenced their ideas not only of what a garden should be, but of paradise itself.

What struck me about this was that our gardens today are connected to this garden. Our practices have their roots (literally and metaphorically) in Persia.

These two fragments came together in my thinking about how we learn to be coaches and develop our own sense of coaching.

In our coaching, I believe we glimpse the coaching of others who preceded us. On some days, the way a coaching session evolves gives us a taste of ‘paradise’ … in Iranian, a word that describes an enclosed space.

At such moments, our coaching is connected with the ideas that have been explored in other places and are realised in our own design.

Photo Credits

Grenada in 2D (Alexander Savin, CC BY-NC 2.0)

Wrestler and his coach (Michael Heiniger, CC BY-NC-SA 2.0)

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